Tag Archives: Tilman Andris

Try-out ‘Papier Multiforme et Papier Comestible’ 30 June 2017

CLOUDPROMO

By Emilie Gallier, Tilman Andris, Jamillah Sungkar

‘Papier Multiforme et Papier Comestible’ is one performance inside of which two performances co-habit. Two performances take place on a same stage at the same time; next to each other as if in two neighbouring living rooms with invisible walls.

On one side, the performance of the ‘Papier Multiforme’ involves magic and choreography around a dinner table at which spectators sit. On the other side, the performance of the ‘Papier Comestible’ takes the form of a choreographed book club where spectators experience reading as a convivial act.
At times, the two performances spill into each other, influencing their respective rhythms.
As neighbours of a perceptible adjacent performance, spectators research the impertinent absence and exercise of ubiquity, of being elsewhere, where they are not.

50 minutes, English spoken
6 spectators at the table
12 in the book club
[We will close registration at 18 people.]

Please register in advance by sending an e-mail to Tilman Andris: tilman[you know what]tilmanandris.com

Residency | Trouble Wit, Magic and Choreography at the Table | Tilman Andris & Emilie Gallier

On April 27 and April 28, Tilman Andris and Emilie Gallier are again working in CLOUD preparing for their presentation for the International Dance Day (Leiden, 29 April, open to all) and for an experimental afternoon within the walls of Quartair (Den Haag, 1 May, closed event).

To join their performance see http://leideninternationaldanceday.tumblr.com/debibliotheek
or contact emilie@post-cie.com (reservation is recommended since there are only few seats at the table)
Trouble Wit is a theatrical paper folding demonstration performed by magicians since the 17th century. In their performances, magicians used Trouble Wit as an illustration device for narratives.
We enrich the possibilities of Trouble Wit by the use of choreography.
Where this performance usually takes place on stage in front of its audience, we invite spectators to sit around tables and we perform close-up for them at those. We hope for the dinner-table format to serve proximity, friendship, and possible conversations. No dinner is served, but food for thought, causing the imagination of our audience to wander. Spectators learn about the history of Trouble Wit and hear unexpected surrealistic stories. We intend to address the audience’s expectation when it comes to see a magic performance by a male magician and a female choreographer: will bodies disappear, be cut in half? The spectator’s status of co-creator fascinates us and we wish to make our audience more aware of the nuances of their participation (from physically helping, to reacting with ‘aaah’ ‘ooooh’, or to mentally and silently imagining tricks).
Concept, magic: Tilman Andris
Concept, choreography: Emilie Gallier
Supported by: CLOUD, PØST Cie, C-DaRE (Centre for Dance Research, Coventry).

 

Residency | Trouble Wit | Emilie Gallier & Tilman Andris

14-19 March
Presentation | Saturday 19 March | 11:00-13:00

Trouble Wit is a theatrical paper folding demonstration performed by magicians since the 17th century. In their performances, magicians used Trouble Wit as an illustration device for narratives.
We enrich the possibilities of ‘Trouble Wit’ by the use of choreography. We build larger sized Trouble Wits in order to access other movements, proportions, and narratives. Where this performance usually takes place on stage in front of its audience, we invite spectators to sit around tables and we perform close-up for them at those. We hope for the dinner-table format to serve proximity, friendship, and possible conversations. No dinner is served, but food for thought, causing the imagination of our audience to wander. Spectators learn about the history of Trouble Wit and hear unexpected surrealistic stories. We intend to address the audience’s expectation when it comes to see a magic performance by a male magician and a female choreographer: will bodies disappear, be cut in half? The spectator’s status of co-creator fascinates us and we wish to make our audience more aware of the nuances of their participation (from physically helping, to reacting with ‘aaah’ ‘ooooh’, or to mentally and silently imagining tricks).

Concept, magic: Tilman Andris
Concept, choreography: Emilie Gallier
CLOUD, PØST Cie.